Asian Beauties Hand Painted Silks
Showing posts with label Whole Cloth Crazy Quilt. Show all posts
Showing posts with label Whole Cloth Crazy Quilt. Show all posts
Whole Cloth Crazy Quilt - Finished!
I finally finished my wallhanging. It still hasn't found a place to "hang around" so ignore the tablecloth background.
Asian Beauties Hand Painted Silks
Asian Beauties Hand Painted Silks
Whole Cloth Crazy Quilt - A Misnomer - Part 5
In an earlier blog I mentioned that the saga of my large fan may have to be revisited. Well, it does!! The painted one was too "washed out" looking to use on this wallhanging. I'll just count it as an experience in painting with Shiva paint sticks and store it away. Maybe I'll need it some day for another project...Yeah, Right!!!
I decided to do a larger version of the two small fans using the same thread color for the fern stitch outlines. I redid the cherry blossom design so that there was a little less to embroider. This time I did them in silk ribbon (in this photo, I still haven't done the centers.) The branch and leaves were done using silk thread and regular embroidery stitches.
You'll see all these parts pull together soon in my finished wallhanging.
I decided to do a larger version of the two small fans using the same thread color for the fern stitch outlines. I redid the cherry blossom design so that there was a little less to embroider. This time I did them in silk ribbon (in this photo, I still haven't done the centers.) The branch and leaves were done using silk thread and regular embroidery stitches.
You'll see all these parts pull together soon in my finished wallhanging.
Whole Cloth Crazy Quilt - A Misnomer - Part 4
These fans will go in the upper corners of my wallhanging. I made them as mirror images of each other as I thought having them done with different embroidery and/or colors would be much too much going on with crazy quilt stitches all around. They will be padded with fleece and stitched down using the fern stitch and the same thread that surrounds the flowers. I'd like to thank Carole Samples for unknowingly guiding me toward the design I used. I was thinking about how I wanted to do the fans one morning and that same day I got an email from Miss Carole directing me to an antique crazy quilt on eBay. The design was right there in front of me when I clicked on the link. Perfect!!
French knots, straight stitch, and fern stitch were the only stitches I used throughout. The original had another flower design in the middle and a larger variety of stitches were used. Have fun with it. It's such a beautiful design.
Whole Cloth Crazy Quilt - A Misnomer - Part 3
It's hard to know how to label these posts so that you can follow the progression. Just look for "Whole Cloth Crazy Quilt" in the list to the right to see different aspects. I have put Part 2, 3, etc. to show you the order to follow. I work on so many things during a week, back and forth, back and forth, I get overwhelmed sometimes with the ideas swirling around in my head. Sick, sick, sick!!
Painting on crazy quilts: Many of the oldest crazy quilts I've seen have some motifs that are colored by painting. I've tried many of the ones on the market today in very small areas on some of my projects. Most of them work ok but running can be a problem when working with some of them. Who wants to spend hours piecing and then lose control of a liquid paint?!
Last year I purchased several colors of the Shiva paintsticks. These are oil paint in a solid form and are in the shape of a really fat crayon. They have a film that forms over them that has to be removed every time you use them, but serves to protect them from completely drying out in between uses. They are meant to last for years. I was not having a lot of luck with them as there are very few instructions available except for using the large templates that you can buy to make overall designs on fabrics. This was not up my alley. The paint is in a solid form so finding brushes with stiff enough bristles is not easy. I even used the smallest size stencil brush I could find - too big!
Before I continue, here is some Important Information you should have before you paint. Always try the paint on a scrap of the fabric you are going to be using in your finished project. The paint works better on some fabrics than it does on others. You can paint most fabrics but it's the density of color that is the problem (for me anyway.) Sometimes all you need to do is change the color to get a good result.
My first try: A couple of my friends and I did some experimenting with the paints recently and have found a technique that we thought was super easy. Got cheap toothpicks???!!! The ones with the flat end work. Just take a little paint on a toothpick, set it on the area you want to cover, use the flat end of the toothpick, and spread the paint out. Then you can use a regular brush to smooth over the area.
Here are photos of two motifs and a fan I used paint sticks on along with a line drawing of each for you to use as desired.
Motif 1) I used a backstitch to outline this butterfly in gold metallic thread and added a little red metallic thread to the inside of the wings to set apart some areas. Then I painted inside the red areas with metallic gold Shiva. I will add beads later.
Motif 2) I used the outline stitch to make the flower and was going to use satin stitch on it. The Shiva paint was easier and quicker. I used three colors in the leaves including gold to highlight them and pink paint with red on top for the petals. The two colors blended together nicely by rubbing the red into the pink with the flat end of a toothpick. I will add a few beads later.
My large fan) Here is a series of photos showing the fan that I designed for my wallhanging. Trying to find a picture of cherry blossoms I thought I could use (which I felt I absolutely had to have) was not as easy as I thought it would be. I finally bought a book with royalty free drawings and changed it to fit my fan area. I'm pretty good at drawing simple things but surely am not an artist. I used transfer paper to trace it onto my fabric which is a black synthetic material with a smooth and shiny surface. Painting turned out to be easier this time (I think it was because of the smooth surface.) Because the area was so large, I probably would have given up easily if it had not been. This time, I used a palette knife and shaved the paints off onto a glass plate and mashed and mixed until the paint was smooth. I mixed in a colorless blender (also available as a Shiva paint stick) whenever I wanted to mix two colors together. I used a small stencil prush and a regular paint brush (for smaller areas) to apply the paint. It came out a lot lighter than I was aiming for but I really like the result. I will have to see it actually on my wallhanging before I decide if it will stay, however. The threads used in the wallhanging are very vibrant and this fan may have to be redone so that it looks right. This fan "saga" may not be over - we'll see!! I am going to use a twin needle with black thread to make the "veins" for the fan.
There are so many places selling these paint sticks at discounts online that I don't find it worth my while to stock them. Buy some and give it a try. It's really a lot of fun!
Painting on crazy quilts: Many of the oldest crazy quilts I've seen have some motifs that are colored by painting. I've tried many of the ones on the market today in very small areas on some of my projects. Most of them work ok but running can be a problem when working with some of them. Who wants to spend hours piecing and then lose control of a liquid paint?!
Last year I purchased several colors of the Shiva paintsticks. These are oil paint in a solid form and are in the shape of a really fat crayon. They have a film that forms over them that has to be removed every time you use them, but serves to protect them from completely drying out in between uses. They are meant to last for years. I was not having a lot of luck with them as there are very few instructions available except for using the large templates that you can buy to make overall designs on fabrics. This was not up my alley. The paint is in a solid form so finding brushes with stiff enough bristles is not easy. I even used the smallest size stencil brush I could find - too big!
Before I continue, here is some Important Information you should have before you paint. Always try the paint on a scrap of the fabric you are going to be using in your finished project. The paint works better on some fabrics than it does on others. You can paint most fabrics but it's the density of color that is the problem (for me anyway.) Sometimes all you need to do is change the color to get a good result.
My first try: A couple of my friends and I did some experimenting with the paints recently and have found a technique that we thought was super easy. Got cheap toothpicks???!!! The ones with the flat end work. Just take a little paint on a toothpick, set it on the area you want to cover, use the flat end of the toothpick, and spread the paint out. Then you can use a regular brush to smooth over the area.
Here are photos of two motifs and a fan I used paint sticks on along with a line drawing of each for you to use as desired.
Motif 1) I used a backstitch to outline this butterfly in gold metallic thread and added a little red metallic thread to the inside of the wings to set apart some areas. Then I painted inside the red areas with metallic gold Shiva. I will add beads later.
Motif 2) I used the outline stitch to make the flower and was going to use satin stitch on it. The Shiva paint was easier and quicker. I used three colors in the leaves including gold to highlight them and pink paint with red on top for the petals. The two colors blended together nicely by rubbing the red into the pink with the flat end of a toothpick. I will add a few beads later.
My large fan) Here is a series of photos showing the fan that I designed for my wallhanging. Trying to find a picture of cherry blossoms I thought I could use (which I felt I absolutely had to have) was not as easy as I thought it would be. I finally bought a book with royalty free drawings and changed it to fit my fan area. I'm pretty good at drawing simple things but surely am not an artist. I used transfer paper to trace it onto my fabric which is a black synthetic material with a smooth and shiny surface. Painting turned out to be easier this time (I think it was because of the smooth surface.) Because the area was so large, I probably would have given up easily if it had not been. This time, I used a palette knife and shaved the paints off onto a glass plate and mashed and mixed until the paint was smooth. I mixed in a colorless blender (also available as a Shiva paint stick) whenever I wanted to mix two colors together. I used a small stencil prush and a regular paint brush (for smaller areas) to apply the paint. It came out a lot lighter than I was aiming for but I really like the result. I will have to see it actually on my wallhanging before I decide if it will stay, however. The threads used in the wallhanging are very vibrant and this fan may have to be redone so that it looks right. This fan "saga" may not be over - we'll see!! I am going to use a twin needle with black thread to make the "veins" for the fan.
There are so many places selling these paint sticks at discounts online that I don't find it worth my while to stock them. Buy some and give it a try. It's really a lot of fun!
Whole Cloth Crazy Quilt - A Misnomer - Part 2
Here is a photo of my wallhanging with all of the basics of the seams finished. Now I will move on to motifs.
Whole Cloth Crazy Quilt - A Misnomer
As my first project for this blog, I'd like to share with you this wallhanging from beginning to end. I hope you'll come back often to see the progress and, hey, if it doesn't turn out the way I envision, maybe we'll all learn something anyway.
This so-called crazy quilt was the project I couldn't resist doing. I started it only because I had purchased some lovely hand painted silks from China to sell on my website and I wanted to come up with a way to incorporate them into CQ. Each of the silks is of one or two beautiful Asian ladies. Instead of these, you could also use any larger piece you like and design your embellishment around it. Added to this, I had earlier found a listing for a book called "A Book of Fancy Designs for Ornamenting Oriental Work" by Mrs. M. Haehnlen on a wonderful Yahoo list. You can download your own copy of this antique book at:
http://www.antiquepatternlibrary.org/
I hold crazy quilt get-togethers several Saturdays a month and three of my friends will be working on a similar wallhanging too. I hope to show you photographs of some of them as time goes on. I drew the pattern in two sizes so that they could each choose just how much embellishment they want to do. This larger of the two wallhangings, when finished, will be ~24"x33."
The rectangle in the center will be a silk painting of two lovely Asian women. Small fans will be in each upper corner, and a large fan will be in the curved area you see at the bottom. I will be sharing each of these additions as I am ready to put them on the wallhanging.
I chose to use black silk dupioni because I love the way the thread and ribbon colors look on black. A few years ago I made a black bellpull, but I pieced it using different fabrics. (I will put photos up of this bellpull again at a later time.) One thing I like about that is the different textures of the fabrics. When you stand back and look at it, however, the background fades and the embellishment pops. So why not skip the step of piecing once in a while? Piecing also limits you on your seams. I love to piece CQ so I will absolutely continue doing it, but this, as an experiment, has been so much fun and much quicker to embellish.
The right side on this photo shows the basting I did before beginning on the large wallhanging and the initial divisions I made by embroidering "seams" to give it a CQ look on the left side. I took the basting out as I embroidered the seams on the left side. The white patch you see is my grid for the next seam. I then added more seams by building off the one just finished. You will find the only book I intend to carry on my website at this time, "Embroidered Crazy Quilt Seam Coverings" by Kelly Gallagher-Abbott. I love using her templates which make the dots you see on my grids below.
This so-called crazy quilt was the project I couldn't resist doing. I started it only because I had purchased some lovely hand painted silks from China to sell on my website and I wanted to come up with a way to incorporate them into CQ. Each of the silks is of one or two beautiful Asian ladies. Instead of these, you could also use any larger piece you like and design your embellishment around it. Added to this, I had earlier found a listing for a book called "A Book of Fancy Designs for Ornamenting Oriental Work" by Mrs. M. Haehnlen on a wonderful Yahoo list. You can download your own copy of this antique book at:
http://www.antiquepatternlibrary.org/
I hold crazy quilt get-togethers several Saturdays a month and three of my friends will be working on a similar wallhanging too. I hope to show you photographs of some of them as time goes on. I drew the pattern in two sizes so that they could each choose just how much embellishment they want to do. This larger of the two wallhangings, when finished, will be ~24"x33."
The rectangle in the center will be a silk painting of two lovely Asian women. Small fans will be in each upper corner, and a large fan will be in the curved area you see at the bottom. I will be sharing each of these additions as I am ready to put them on the wallhanging.
I chose to use black silk dupioni because I love the way the thread and ribbon colors look on black. A few years ago I made a black bellpull, but I pieced it using different fabrics. (I will put photos up of this bellpull again at a later time.) One thing I like about that is the different textures of the fabrics. When you stand back and look at it, however, the background fades and the embellishment pops. So why not skip the step of piecing once in a while? Piecing also limits you on your seams. I love to piece CQ so I will absolutely continue doing it, but this, as an experiment, has been so much fun and much quicker to embellish.The right side on this photo shows the basting I did before beginning on the large wallhanging and the initial divisions I made by embroidering "seams" to give it a CQ look on the left side. I took the basting out as I embroidered the seams on the left side. The white patch you see is my grid for the next seam. I then added more seams by building off the one just finished. You will find the only book I intend to carry on my website at this time, "Embroidered Crazy Quilt Seam Coverings" by Kelly Gallagher-Abbott. I love using her templates which make the dots you see on my grids below.
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